Read more ‘Demolition’ Breakout to Star in New Line’s ‘The Babysitter’ (Exclusive)īesides its unrelenting brutality, the film also delivers enough tiny penis jokes to make one wonder about the insecurities of its male director and screenwriter. So do the endless scenes of Angela attempting to work out her not inconsiderable issues with her therapist, clearly the least effective shrink ever. This example of the rape-revenge film genre (who knew?) serves up its raw meat for its target audience with reasonable efficiency, although the surplus of ultraviolent fantasy sequences quickly proves wearisome.
Angela is unable to even go for a brief jog without attracting verbal threats and abuse. That every male with whom she comes into contact is thoroughly sexist and despicable provides at least some justification for her actions. The relative contentment is short-lived: Marla is killed by her abusive ex-boyfriend, triggering Angela’s hyper-aggressive impulses against every man in her vicinity. There she meets the tough-talking wild girl Marla ( Jennifer Landon), with the two becoming fast friends and bonding over their mutual violent punishment of an older man abusing his stepdaughter. Now living in another city under the name Angela, she’s got a new job where she rudely fends off the overtures of a friendly co-worker, and she attends a support group for sexual abuse victims. In any case, we’re reintroduced to Jennifer, who in the first film exacted violent revenge upon the five men who raped her. I wonder if its exhibitors saw it before they decided to play it, and if they felt as unclean afterward as I did.Read more ‘Hail, Caesar!’ Trailer: The Coen Brothers Take on ‘ 50s Hollywood As a critic, I have never condemned the use of violence in films if I felt the filmmakers had an artistic reason for employing it. This movie is an expression of the most diseased and perverted darker human natures, Because it is made artlessly, It flaunts its motives: There is no reason to see this movie except to be entertained by the sight of sadism and suffering. As it was, at the film's end I walked out of the theater quickly, feeling unclean, ashamed and depressed. I wanted to ask If she'd been appalled by the movie's hour of rape scenes. I would have liked to talk with the woman in the back row, the one with the feminist solidarity for the movie's heroine. To hold his opinions at his age, he must already have suffered a fundamental loss of decent human feelings.
I wanted to turn to the man next to me and tell him his remarks were disgusting, but I did not. This inspired a lot of laughter and encouragement from the audience. The middle-aged, white-haired man two seats down from me, for example, talked aloud, After the first rape: "That was a good one!" After the second: "That'll show her!" After the third: "I've seen some good ones, but this is the best." When the tables turned and the woman started her killing spree, a woman in the back row shouted: "Cut him up, sister!" In several scenes, the other three men tried to force the retarded man to attack the girl. How did the audience react to all of this? Those who were vocal seemed to be eating it up.
Where was the movie i spit on your grave filmed series#
The movie is nothing more or less than a series of attacks on the girl and then her attacks on the men, interrupted only by an unbelievably grotesque and inappropriate scene in which she enters a church and asks forgiveness for the murders she plans to commit. There is no attempt to develop the personalities of the characters - they are, simply, a girl and four men, one of them mentally retarded. These horrible events are shown with an absolute minimum of dialogue, which is so poorly recorded that it often cannot be heard. She kills the third man with an axe and disembowels the fourth with an outboard engine. She lures out another man and castrates him, leaving him to bleed to death in a bathtub. Two weeks later, somewhat recovered the girl lures one of the men out to her house, pretends to seduce him, and hangs him. They are already there, beat her some more, and rape her again.
They find her, beat her, and rape her again. They strip the girl, beat her and rape her. Later, they tow her boat to a rendezvous with two of their buddies. The story of ''I Spit on Your Grave" is told with moronic simplicity. And if they seriously believed the things they were saying, they were vicarious sex criminals. I do not often attribute motives to audience members, nor do I try to read their minds, but the people who were sitting around me on Monday morning made it easy for me to know what they were thinking. It was not just a large crowd, it was a profoundly disturbing one.
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